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ON-EREE PUBLIG VIEW 


AT THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH, NEW YORK | 


BEGINNING WEDNESDAY, FEBRUARY 22np, 1922 


(WASHINGTON’S BIRTHDAY) 


AND CONTINUING UNTIL THE DATE OF SALE 
FROM 9 A.M. UNTIL 6 P.M. 


AMERICAN AND FOREIGN 
PAINTINGS 


OF ARTISTIC DISTINCTION 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
BY ORDER OF EXECUTORS AND PRIVATE OWNERS 
ON OMONDAY- EVENING, FEBRUARY 27TH 


BEGINNING AT 8.15 O’CLOCK 


IN THE GRAND BALLROOM OF THE PLAZA HOTEL 
ENTRANCE, No. 9 WEST 58TH STREET 


ILLUSTRATED CATALOGUE 


OF 


AMERICAN AND FOREIGN 
OIL PAINTINGS 
OF ARTISTIC DISTINCTION 


INCLUDING 


A GRAND EXAMPLE OF THE GREAT MASTER 


GEORGE INNESS, N. A. 


AND A NUMBER OF OTHER IMPORTANT WORKS BY PROMINENT 

AMERICAN. ARTISTS BELONGING TO MR. DUNCAN PHILLIPS, WHO 

DISPOSES OF THEM BECAUSE: HE HAS OTHER EXAMPLES OF THE 
ARTISTS AND LACKS STORAGE FACILITIES 


TO WHICH HAS BEEN ADDED THE PROPERTY OF 
SEVERAL ESTATES AND OTHER PRIVATE OWNERS 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
IN THE 


GRAND BALLROOM OF THE PLAZA HOTEL 


(ENTRANCE, NO. 9 WEST 58TH STREET) 


ON MONDAY EVENING, FEBRUARY 27TH, AT 8.15 O? CLOCK 
[9% r 


THE SALE WILL BE CONDUCTED BY 


MR. THOMAS E. KIRBY 
AND HIS ASSISTANTS, MR. OTTO BERNET AND MR. H. H. PARKE 


THE AMERICAN ART ASSOCIATION, Manacers 


MADISON SQUARE SOUTH 
NEW YORK 


THE AMERICAN ART ASSOCIATION _ 
DESIGNS ITS CATALOGUES AND DIRECTS 
ALL DETAILS OF ILLUSTRATION 
TEXT AND TYPOGRAPHY 


CONDITIONS OF SALE 


I. Rejection of bids: Any bid which is not commensurate 
with the value of the article offered or which is merely a nominal 
or fractional advance may be rejected by the auctioneer if in his 
judgment such bid would be likely to affect the sale injuriously. 


Ij. The buyer: The highest bidder shall be the buyer, and 
if any dispute arises between two or more bidders, the auctioneer 
shall either decide the same or put up for re-sale the lot so in 
dispute. 

III. Identification and part payment by buyer: The name 
of the buyer of each lot shall be given immediately on the sale 
thereof, and when so required, each buyer shall sign a card giving 
the lot number, amount for which sold, and his or her name and 
address. 


Payment at the actual time of the sale shall be made of all 
or such part of the purchase prices as may be required. 

If the two foregoing conditions are not complied with, the lot 
or lots so purchased may at the option of the auctioneer be put 
up again and re-sold. 


IV. Risk after purchase: Title passes upon the fall of the 
auctioneer’s hammer and thereafter neither the consignor nor the 
Association is responsible for the loss or any damage to any 
article occasioned by theft, fire, breakage or any other cause. 


_V. Delivery of purchases: Delivery of any purchases will 
be made only upon payment of the total amount due for all 
purchases at the sale. 


Deliveries will be made at the place of sale or at the storage 
warehouse to which purchases may have been removed. 


Deliveries at the American Art Galleries will be made only 
between the hours of 9 A. M. and 1 P. M. on sales’ days and on 
other days—except holidays, when no deliveries will be made— 


between the hours of 9 A. M. and 5 P. M. 


Deliveries at places of sale other than the American Art 
Galleries will be made only during the forenoon following the day 
of sale unless by special notice or arrangement to the contrary. 


Deliveries at the storage warehouse to which goods may have 
been sent will be made on any day other than holidays between 
the hours of 9 and 5. 


Deliveries of any purchases of small articles likely to be lost 
or mislaid may be made at the discretion of the auctioneer during 
the session of the sale at which they were sold. 


VI. Storage in default of prompt payment and calling for 
goods: Articles not paid for in full and either not called for by 
the purchaser or delivered upon his or her order by noon of the 
day following that of the sale will be turned over by the Associa- 
tion to some carter to be carried to and stored in some warehouse 
until the time of the delivery therefrom to the purchaser, and the 
cost of such cartage and storage will be charged against the pur- 
chaser and the risk of loss or damage occasioned by such removal 
or storage will be upon the purchaser. — 


NOTE: The Limited space of the Delivery Rooms 
of the Association makes the above requirements 
necessary, and it is not alone for the benefit of the 
Association, but also for that of its patrons, whose 
goods otherwise would have to be so crowded as to 
be subject to damage and loss. 

VII. Shipping: Shipping, boxing or wrapping of purchases 
is a business in which the Association is in no wise engaged, and 
will not be performed by the Association for purchasers. The 
Association will, however, afford to purchasers every facility for 
employing at current and reasonable rates carriers and packers ; 
doing so, however, without any assumption of responsibility on 
its part for the acts and charges of the parties engaged for such 
service. 


VIII: Guaranty: The Association exercises great care to 
catalogue every lot correctly and endeavors therein and also at 
the actual time of sale to point out any error, defect or imperfec- 
tion, but guaranty is not made either by the owner or the 
Association of the correctness of the description, genuineness, 
authenticity or condition of any lot and no sale will be set aside 
on account of any incorrectness, error of cataloguing or imper- 
fection not noted or pointed out. Every lot is sold “as is” and 
without recourse. 


Every lot is on public exhibition one or more days prior to its 
sale, and the Association will give consideration to the opinion of 
any trustworthy expert to the effect that any lot has been incor- 
rectly catalogued and in its judgment may thereafter sell the lot 
as catalogued or make mention of the opinion of such expert, who 
thereby will become responsible for such damage as might result 
were his opinion without foundation. 


IX. Buying on order: Buying or bidding by the Associa- 
tion for responsible parties on orders transmitted to it by mail, 
telegraph or telephone will be faithfully attended to without 
charge or commission. Any purchases so made will be subject to 
the foregoing conditions of sale except that, in the event of a 
purchase of a lot of one or more books by or for a purchaser who 
has not through himself or his agent been present at the exhibi- 
tion or sale, the Association will permit such lot to be returned 
within ten days from the date of sale and the purchase money will 
be refunded if the lot in any manner differs from its catalogue 
description. 

Orders for execution by the Association should be written and 
given with such plainness as to leave no room for misunderstand- 
ing. Not only should the lot number be given, but also the title, 
and bids should be stated to be so much for the lot, and when the 
lot consists of one or more volumes of books or objects of art, the 
bid per volume or piece should also be stated. If the one trans- 
mitting the order is unknown to the Association, a deposit should 
be sent or reference submitted. Shipping directions should also 
be given. 

Priced Catalogues: Priced copies of the catalogue or any 
session thereof, will be furnished by the Association at charges — 
commensurate with the duties involved in copying the necessary 
information from the records of the Association. 


AMERICAN ART ASSOCIATION, 
American Art Galleries, 
Madison Square South, 
New York City. 


EVENING SALE 
MONDAY, FEBRUARY 27, 1922 
~IN THE GRAND BALLROOM OF 
THE PLAZA HOTEL 
Ewrrance, No. 9 West 58TH STREET 
BEGINNING AT 8.15 0’CLOCK 


Catalogue Numbers | to 80, inclusive 


4 


J. VAN COUVER 


; Dutcu: ConrTEMPORARY 
e4 i 


—OLD AMSTERDAM 


Lee 3 ( Board) 


5 
eee i= 


cy. Arms of a windmill, and a mast. — 


Property of Miss. L. Horrayy. 


JOSE WEISZ 
ae ee cde) (830 


™ i tA 
my 


__2-BANKS OF THE SEINE 
a e : . x (Panel) 


and white clouds. 


#2 


| 4 Property of Miss L. HorrMann. 


Height, 6 inches; length, 8 inches 


We. B. Pow 


ouDs ‘gray and moisture-laden and a brilliant creamy-white, in a 
ight blue sky, over low buildings with red roofs of the old seaport’s 
1ore front. Water with reflections blending the colors of land and 


Signed at the lower right, J. van Couver. 


Bi 


Height, 64, inches; length, 9°4 inches 


% THe edge of a ereen bank in fading light, and beyond, another green 
bank sharing a higher light and supporting occasional trees ; between 
them, a bend of the river, lighted by reflections from a sky of gray - 


Signed at the lower right, Jose WEISZ. 


4 
ae et a a LT * 


DAVID JOHNSON, N.A. 


AMERICAN: 1827—1908 Ru doit 


° 3-SCENERY AT NEW BERLIN, NEW YORK 
e (Panel) 
Height, 1214 inches; width, 9 inches . 


Mountains in the distance, their slopes partly tree-covered and 
partly cleared, are hazy under a summer sky, blue and filled with 
cumuli, and dwellings appear in the middleground valley. In a wind- 
ing road, sunny in the foreground, a young farmer riding a gray 
horse stops for his mount to drink at a wayside trough. 


Signed at the lower left, DJ (monogram), and on the 
back wn full, with the title. 


i / () 
| Property of the Estate of Epwarp V. W. Rosstrer. V 0X, © KX eo 


oO ‘a _ . ,;Arha 

f ' “% Q Fark ® 1 ‘eae os \ 

i] aya LUA. Se C ol ) cee a-e SLA tte. ag) ) Spi | Pra. 
7 ¥ 


‘Vo, ETIENNE PROSPER BERNE-BELLECOUR 


eee FRENCH: 1838—1910 , Pp 4 
' 4—A SOLDIER'S REFRESHMENT ( 
| | (Panel) . 
Height, 14 inches ; width, 104% inches 


Fui-Leneru figure of a French cavalryman, in great-coat of gray, ve 
turned slightly toward the left, standing on the green at the entrance i" 

of a gray building, on an abutment of which he rests his cup to pour | 
wine from his canteen. In the background the rose roofs and white | 
walls of a town, in the sunlight of a hazy day. il 


Signed at the lower left, EK. Berne-BEeLirecour, 1891. i 


Property of Miss L. Horrmanyn. / | 


+ - = _ 
ae 


DANIEL RIDGWAY KNIGHT | 7 


AMERICAN: 1845— : bet 


410) ~ 5>AF ROSNY v4 
4 oP : 
' er, ( Panel) 3 
Pe oc 
a” Q | O. Height, 81% inches; length, 101% mches F 
' 
A sLENDER French peasant girl stands at a low and moss-covered gar- ‘ 
den wall bordering a silvery river which reflects the mauve of a 
twilight sky. Face in profile to left, figure turned toward the front. : 
At her side rich flowers in abundant bloom. ; 
Signed at the lower left, Ripcway Knicut, Paris. § 


Property of the Estate of Epwarp V. W. Rosstrer. Var SX% = 


CHARLES EMILE JACQUE 


a . Frencu: 1813—1894 


a (Panel) 


Height, 8 inches; length, 10 inches 


Wirnin a sheepcote a ewe of deep fleece is reposing on straw, which 
is golden in the sunlight on the floor, while another sheep feeds at a 
rack just beyond her. At right and left a rooster and two hens. 


Signed at the lower left, Cu. JAcaue. 


Property of the Estate of Evwarp V. W. Rossiter. \ OLX, a /\ LX \ _ 


6—SHEEP AND CHICKENS Wr. WM Ge Wakye i 


SSS Ln nn SSeS ee 
a ae ae .- 


SS 


a 


ae 


an 


= 
br 


ALBERTO PASINI 


Traian: 1826—1899 


“"¥ AN ARABIAN BAZAAR O 
THE OUTSKIRTS OF DAMASCUS 


Height, 9 inches; length, 154% inches 


A GRAYISH-SANDY, flat and open place, treeless in brilliant sunshine, 
lies before a park or garden of bushy green trees and occasional 
palms, and in the background, behind the trees, a creamy wall and 
white towers of the city glisten in the sun. The bazaar in the open 
is largely attended, turbaned figures in colorful costumes standing, 
walking or seated, busy or idle, and at left are camels and in the 
middle distance horses. In the foreground, seated or lazily reclining 
on carpets or the earth, are other figures, with their goats and dogs 
among them. 


Signed at lower right, A. PAstnt. 


Property of Brr1z1nes Estate Corporation. 


CHARLES EMILE JACQUE 


Frency: 1823—1894 


8 THE MASTER OF THE ROOST 


ey (Panel) Mn. hl. 


Height, 934 ches; length, 14 inches 


Tue interior of a chicken house, forming part of a heavily built 
French barn, its depths in shadow, where some chickens are perched, 
while sunshine brilliantly illuminates a spot of the floor at the centre 
thickly covered with golden straw. Here are numerous hens, and a 
proud game rooster rich in his coloring stands haughtily towering 
over them. 


e Signed at the lower left, Cu. Jacaur. 


Property of the Estate of Epwarp V. W. Rossiter. \ C%@ KiXX 


~ JULES DUPRE 
Frencu: 1812—1889 


& 


=. é 2 
f* yo « 3 THE COTTAGE 
ee Height, 884 inches; length, 1034 inches 


Witp land and clear, and generally level, extends afar under a blue 
sky filled with rolling cloud billows which whiten in sunshine striking 
them from the left. In middle distance and near the centre of the 
composition stands a solitary thatched cottage, and at left between 
outstanding trees is a single figure, walking. The surface of the land 
is brown and green, and it descends gently to a foreground stream. 


Signed at the lower right, Jutes Dupre. 


Property of Mr. Duncan Puitups, who disposes of the above de- 
scribed painting because of having other examples of the artist, 
besides lack of storage facilities. see 


A as allt 

) vat Paes 
ie As e 
Pitan 


. 
8, 


y EUGENE HIGGINS, A.N.A. 


a . iM twit 


AMERICAN: 1874— 


* + 10—A LONELY STREET 4. kW. CRC 


~ 
se ae 


— 


oO 


~s 


po. Height, 1214 inches; length, 16 inches 


at 


A composition with a suggestion of tragedy. <A winter night, with 
a light shining on a white sidewalk and the lightly snow-covered top 
| of pinkish garden walls, in front of which are two dejected, crouching 
| figures. In the semi-darkness of stairs between the walls, leading to 
darker streets and tall buildings, a prone figure, prostrate on the 
steps. 


a 
| 


Signed at lower left, Kucene Hicerns. 


! Property of Mr. Duncan Puitums, who disposes of the above de- 
| scribed painting because of having other examples of the artist, 
besides lack of storage facilities. 


HENRI HARPIGNIES 


FRENCH: ee. i: 


11—FANDSCAPE: IN SUNSHINE AND SHLAD 


Height, 91, inches; length, 1384 cen 


Up a green hill from the foreground, with incline to the right, a gray 
path leads between short and bushy trees which at left rise above the 
picture limits, both hill and trees in clear shadow while beyond the 
crest of the hill is a sunlit gorge. High cliffs at right share the 
light of the setting. Sue and distant mountains are dark against 
the sky. 


Signed at lower left, H. Harpienizs, °98. 


Property of a Private Owner. 


a os EMILIO SANCHEZ PERRIER <a 


SPANIsH: 1853—1907 


12—RIV ERSIDE, PONTOISE Tet, Oop 
rae fLaliy 


Height, 10% inches; length, 1414 inches 


A sTRETCH of river supplies the foreground, its sluggish current sil- 
very and green with reflections of the grayish sky and of the bushy 
trees lining its farther bank. “Boats to Let” says a small sign, and 
along the stream’s edge are boats, some idle and two occupied by 
anglers. 


Signed at the lower right, E. SancHEz Prerrier, Ponrotse. 


Property of the Estate of Epwarp V. W. Rosstrer. Vak NKK 


BERNARD DE HOOG 
Dutcu: 1866— 


13—MOTHER AND CHILDREN : 
‘ Height, 20 inches; width, 1524 inches 


Iy a Dutch cottage room with shadowy depths and a red tiled floor, a 
fair-haired young mother is seated facing the left, before a great fire- 
place, and light from the left illumines her and the infant in white on 
her lap, and a stouter child standing at her knee. 


Signed at the lower right, BerNarp pvE Hooe. WW 
‘ r ' i 
| 


Property of the Estate of Eywarp V. W. Rossiter. \ OX MS KX = 


DWIGHT WILLIAM TRYON, N.A. 


ete eee 


AMERICAN: 1849— eee . 

4 

S 14—AFTER SUNSET | ya 
5901 — e | 
en (Pastel) ¢ 

: 


2 , 4 Height, 10 inches; length, 14 inches 
_ A ForEGROUND of flat, sandy beach; a warm brown, in the cool of : 

the evening. A gray-green sea reaching far as the eye can perceive, 

with the suggestion of a sail at the horizon, and rolling lightly toward 4 

the spectator the all but spent waves of a receding tide. Darkening q 

horizon and grayish clouds aloft, with a silvery crescent moon in an ; 

area of nebulous fleece midway of the sky. | 


Signed at lower left, D. W. Tryon. 


r 
‘ 


Property of Mr. Duncan Puivirrs, who disposes of the above de- 
scribed painting because of having other examples of the artist, " 
besides lack of storage facilities. aye a 


15—LA FIN DU JOUR 


JULES JACQUES VEYRASSAT 


Frencu: 1823—1893 


( Panel) 
Height, 91% inches; length, 1614 inches 


Bricut is the sunlight yet on a fair summer day, but the work horses 
have been brought to a spacious stable-yard, where three stand in 
shadow and two in sunshine, still in harness and patiently waiting, 
at either side. Through an archway giving upon a winding pastoral 
river a man comes forward, carrying water for his beasts. About the 
stable-yard many chickens are pecking. 


Signed at lower right, J. VEYRAsSAT. 


* 


r ' Ay 
Property of the Estate of Evwarp V. W. Rossrrer. \ OK XXX = 


eS ee FS 
Sa 


re ae 


em 


as 


17—LOADING WOOD Pall q. 


we 
ae 


CHARLES WARREN EATON 


AMERICAN: 185 Mt m" oe 
’ : 


16—AUTUMN NEAR GREENWICH, 
| CONNECTICUT 


Height, 12 inches; length, 2014 inches 


Ar right in middle distance some trees, and at left others farther 
away, and between them and in the foreground a winding hollow of 


wild pasture land, gray-green, with clumps of herbage yellow, reddish - 


and brown, warmer in hue than the brown of the tree foliage. The 
distance bluish with haze, under a gray and white sky. 


Signed at lower right, Cuas. Warren Eaton. 


Property of the Estate of Epwarp V. W. Rosstrer. fae & Vae AXX 


Ale SCHERREWITZ 
Dutcu: 1868— 


Height, 14 inches; length, 2134 inches 


Aw autumn day. At right a brown copse and a few sapling birches, 
standing, and cuttings piled on the ground. A wood gatherer bends 
to load these into his cart, his patient horse partly covered by a rough 


blanket. 


Signed at the lower right, J. SCHERREWITZ. 


Property of Miss L. Horrmann. 


THOMAS MORAN, N.A. 
AMERICAN: 183'7— 


_-:18-SUNNY VENICE 
ps ys: j Height, 14 inches; length, 20 inches 
Tue great lagoon, gay with many-colored vessels, stretches across the 


foreground. ‘The Campanile, St. Mark’s, palaces and domes of many 
churches line its surrounding banks, 


Signed at the lower left, T. Moran, 1908. 


Property of a Private Owner, 


15 ' ROBERT CRANNELL MINOR, N.A. 
|  —— American: 1840—1904 
| 19—A CLOUDY DAY IN KENT, ENGLAND 


(Board) mM ‘ fy. 


1 50 s H eight, 12 inches; length, 16 inches 


Croup billows in great banks and in lesser masses all but fill the sky, 
the nearer clouds grayish and tenuous, the greater cumuli farther off 
creamy-white, mellowed by sunshine, which also reveals above them 
hints of faint robin’s-egg hue beyond. The landscape is one of meadow 
and stream and short trees, with a single mill with a four-armed wheel 
conspicuous in the right middle distance, where it shares in the slant 
of the sunshine. | 

Signed at lower right, Minor. 


Property of the Bittines Estate Corporation. 


EMILIO SANCHEZ PERRIER 
SPANISH: 1853—1907 


20—A LONG THE RIVER: SEVILLA 


(eave) Parke. gt Wy. 


Height, 14 inches; length, 2134 inches 


Crossine the foreground a placid, slumbrous stream, with reeds in the 
shallows, its surface a mass of green reflections, with a small tur- 
quoise area reflecting the sunny sky. On its broken, verdant and sandy 
bank, in the middle distance, graceful saplings and a bushy tree mass, 
and at the water’s edge two men fishing. Above the green brush of the 
bank there comes to view in the distance on the left the creamy-white 
walls and reddish roofs and towers of the city buildings. 


Signed at the lower right, E. SancHez PERRIER, SEVILLA. 
On back, the title. 


Purchased from Goupil’s. 


Shown at the Copley Society Exhibition of Paintings of the Spanish 
School, Boston, 1912. 


Property of an Estate. 


— x i ety me. 


Pt seco 


GEORGE HERBERT McCORD, A.N.A. 
AMERICAN: 1848—1909 


21—ALONG THE WHARVES AT TWILIGHT 
|  _Height, 20 inches; width, 161, inches 


_. Ar right of the foreground, at the head of a narrow basin of a port at 
~¥+ low tide, a fishing boat of Dutch build is lying, sail partly dropped, 
and figures are seen on board, on the wharf behind it and in.a small 

boat at its side. In the distance are numerous other similar craft, with 
-_ eanvas also standing, the whole in the lessening light of departing day, 
p— (which is: intensified in the foreground basin by reflection from white 
~ eloud_ banks above the horizon. 


4 Signed at lower left, G. H. McCorp. 


- 


a ” 7 ns! 2 “ a ro Py Fe 
f om = ~~ a. 
Bigg a SES AL Ee pie © Bde) +; i ie 
alls a a avn "1 ‘d a ‘  s, agi f) be . 
: ake : rR 3 i ; ' ; 
1 ‘> ee ao § ~ 
a as C= 
x ‘ f aod Ming 


aint sat bee ats 
~ i} yi" Ne 


iS Wicig ? 
Property of the Brrzincs Estate Corporation. 


et 
t 
fr 


DANIEL RIDGWAY KNIGHT 
AMERICAN: 1850— 


; q 
22—IN THE GARDEN nae iE! 


yi Height, 2134 inches; width, 1814, inches . 1 | 
if dj, | 


of the peasantry stands with figure to front and facing the right. In 
a green valley of the middle distance on the right is a large church, and 


| 
: | 
In a garden in blossom, on high land in the foreground, a French girl | | 
below on the left the bend of a river. In the far distance vague hills. 7) 


Signed at lower left, Ripnceway Kwnicut, Paris. 


| 
From M. Knoedler & Co. 

| 7 Sold by order of Messrs. WintHRop & Stimson, Attorneys. 
| 

) 


| £3857. bungpih hlich, $994 Joo MSXK 5 I 
| 4 AotA- Sp gaara | | 


Sb, Qwecnecgrmenh, Me Liege focercoff lth 1G 20- teeheng freee UXS | 
| i} 


DON J OSE J IMEN EZ ARANDA 
By Reid 1837— 


23—MARKET PLACE, SEVILLA 
| (Panel) | 
| Height, 1514 wmches; length, 21 inches 


Grovuprep around a church or municipal building of grayish walls, and 
with other buildings showing more color back at the right, numerous 
market stalls are opened toward the street and the spectator, and 
display fresh vegetables in many notes of green, and white and red, 
and also live and dead birds. Here men and women come to buy and 
barter, their costumes easy and colorful, a padre comes to beg, and 
children look on—a composition of more than a score of figures. 


Signed at the lower right, J. Jimz. ARANDA, Srvitza, 1878. 


Shown at the Copley Society Exhibition of Paintings of the eee 
School, Boston, 1912. — 


Property of an Estate. 


ROSWELL MORSE SHURTLEFPF, Nea, 
AMERICAN: 1841—1915 


24—HARLY SUMMER, KEENE VALLEY — 
| Height, 20 inches; length, 25 inches Wow 


GREEN in the freshness and rich fulness of early summer the foliage in 
an open forest. Rich green the moss on a great gray rock, relieved 
by warmer yellowish patches, which are repeated in the grass along a 
brook in the foreground. Amidst the loftier leafage flashes of sun- 
shine, and in the distance darker mountains. 


Signed at lower left, R. M. Suurtrierr, N.A. 


Property of Mrs. R. M. SuHurtierr. 


EMILE VAN MARCKE 
Frencu: 1827—1910 


235—YOUNG BULL IN STABLE (. A. eee 


Height, 16 inches; length, 22 inches 


A picTURE of a yearling bull, with coat of dark brown and white, at- 
tached to a post in a stable. The attractive-looking young animal is 
shown in side view with his white face turned to the spectator. It is a 
truthful, well-rendered portrayal. 

Signed at the lower right. 


From the sale of the studio effects of E. Van Marcke, Paris; Catalogue 
No. 88.~ feo 150 = 


Purchased from Julius Oehme, New York. Mar ej h fbi bg 


From the sale of the late F. L. Loring, 1917. - #4 - Bp 3Se : b. 6, (od 


Property of a Private Collector. 


MME. H. A. OBERTEUFFER 


CONTEMPORARY 
} 0 < 26—STILL LIFE 
—— Height, 2514 inches; width, 2114 inches. 


In a strong and all-pervasive light, on a table with a covering of 


green and blue, a tall white jar decorated in blue holds an immense 
bouquet of hydrangeas, which overspread its sides. The large clusters 
of blossoms are white and a creamy-white, pink and blue, and amongst 
them is the relief of their rich green leaves. The whole in free and 
direct work, with eloquent expression. 


Signed at the lower right, H. AmtniA OBERTEUFFER. 
Property of Mr. Duncan Puitures, who disposes of the above de- 


scribed painting because of having other examples of the artist, 
besides lack of storage facilities. 


ALBERTO PASINI 


Iratian: 1826—1899 


27-MOSQUE AND MARKET PLACE 


Height, 22 inches; width, 18 CE. 

BrLow a gr ay mosque towering toward a turquoise sky i in ich ligh 
clouds are drifting, and a hillside closely occupied by city dwellings, 
a narrow street is shown in the foreground, with awnings extended 
from some of its buildings and green trees showing above them from 
- courts or gardens. Here are gathered swarthy and slumbrous men, 
wearing the fez, and veiled women, clothed in brilliant and rich colors, 
at a market es plentifully SUP Dues with vegetables and fruits. 


Signed at lower right, A. ine 1870. 


Property of the Brntines EsrarE Corporation. 


= = = = = ——— SSS = z = ed Poet. - Wi An AA 
" — = = S SSS SS SS SS SS es —— . = = ee oes 


ae a TOE Ne aa nice 


eee — 


oe : 3 Durcn: 1854— 


3H. 


“JOHAN SIMON HENDRIK KEVER 


28 =i) DE WIEG (By the Cradle) | 


‘Height, ee inches; width, 181, inches. on uk 
In a SDutch cottage room where the light i is dim a peasant - woman sits 
sewing. Beside her her chubby infant lies in its basket ‘cradle. The 
young mother bending over the work in her lap faces the right, thr ee- 
quarters front. She wears a dark brown waist and greenish-brown 
skirt, ate a white Dutch cap. 


: Signed at the lower right, Keven. 


Property of an Estate. 


_E. PIETERS | 
Dercee 1856— 


| _—— 29 DUTCH INTERIOR WITH FIGURE 
—<_ Height, 201% inches; length, 244 noha : 


la S O. Ix a cottage kitchen a huge kettle over a fire, and chickens picking 
food from the red-tiled floor. In the light of a window on the right, 
a chubby and rosy-cheeked, golden-haired Dutch child, in green frock 
and heavy sabots, seated, busily preparing fruit or vegetables. 


Signed at the lower right, E. Pivrens. 


Property of Miss L. HorrMmann. 


“ | THEODORE ROBINSON, SAA. 


wd : AMERICAN: 18521896 | 
4 30—4A COBBLER OF OLD PARIS 


eons 25% inches ; width, ae inches , 


mB bo 


a. Dythisgtile- floored shop ave its rude furnishings a Crispin Site facing 
| 4 2) . his wide open window and is seen in profile to the left, a vigorous man 

in his prime, with dark hair and moustache, and dark clothes and a 

blue apron. A shoe between his knees, he has paused in his work to 
; converse with a heavy-featured woman in blue and wearing a large 
coniform straw hat, who leans over his window-sill with arms crossed 
over her market basket. In the narrow street back of her gray es 

under a sky of white and blue. 


Signed at lower right, Ex. ROBINSON, 1885. 
Property of Mr. Duncan PHILLIPS, who disposes of the niece de- 


scribed painting because of having other examples of the artist, 
besides lack of storage facilities. 


JEAN JACQUES HENNER 
Frencu: 1829—1905 


JX-IDEAL HEAD 7] Waren oo. 


Height, 21 winches; width, 21 inches 


Facine the right, with figure turned slightly to the front, a young 
woman, seated, is depicted leaning on her left elbow, the hand sup- 
porting her chin as she looks pensively downward. She is shown at 
half-length, in a crimson waist décolleté, against a dark background, 
with a high light from the left illumining the creamy flesh of her neck 
and cheek and her flowing orange-yellow hair. 


Signed at right centre, J. J. HENNER. 
Property of an Estate. 


: 
| 


J. LEURS 


DutcH: ConreEMPoRARY 


—— 82-LANDSCAPE AND CATTLE ie pa ae 


~ Height, 2734 inches; width, 201% inches 


Pouiarp willows, silver-tipped in sunshine, at the edge of a stream 
__ where stand black and white and red and white cows. More cows back 
- in flat fields divided by a line of trees. 


Signed at the lower left, J. Luurs. 
Property of a HorrMann. 


ra WORTHINGTON WHITTREDGE, N.A. 


| fr z | American: 1820—1910 


2 FOREST BROOK 
Ej Height, 2714 inches; length, 28 inches 


i 
! 
; Wiruin a forest the bend of a brook, which curves forward from the 


right, rippling; in its course great beech logs, gray and coated with 
green moss, offering footway to the farther side. ‘Tree branches arch 
and interlace overhead, spanning the stream, and in the middle distance 
sunshine illumines an open space partly cleared, beyond which is a 


single glimpse of blue sky. 


| 
| ie 
. Signed at lower left, W. WuirrrencGe, 1882. i: 


From the National Academy of Design, 1882. 


Property of the Birurxes Esrare Corporation. 


7 F GEORGE BELLOWS, NAA. 
AMERICAN? -1882— 


: sa Height, 221, iene length, 28 het , a dt. 4) , 


: = 5D. Ar left a green bank along an old village road, and a footpath which 
descends by a stair to the foreground. Down the stair is coming a _ 
man without an umbrella, huddling in his overcoat from the wind- 
driven rain, and back of him the gray trunk of a tree and the corner of 
a white Colonial house stand out in the light, which also glistens from 
the wet roadway. Over the road the dense foliage of the trees border- Be 
ing it makes a solid green mass, and at a house on the right 1 is a floral,.\7Aam 
arbor. 


v3 


Signed on back, GEO. sate th title. 


Property of Mr. Duncan Puitiirs, who disposes of the above de- 
scribed painting because of having other aaa of the artist, 
besides tela of rome facilities. 


———” 


ae, Aare renee 4 841 7 he 


LO. 


lb ROSWELL, MORSE SHURTLEFF, NLA 


35—ACROSS THE MEADOW, KEENE oe 


Height, 20 inches; length, 25 inches | 


Low and sloping open land crossed by a brook is green and brown, and ~ 
reveals suggestions of a gray footpath, and in the middle distance 
supports detached trees and massed evergreens. In the background 
green mountains are at either hand under a blue and white sky with 
hovering gray shower clouds. 


Signed at lower left, R. M. SHurtierr, N.A.- } 


as 


Property of Mrs. R. M. Sxurrierr. 


Gets eine 


en 


GEORGE HERBERT McCORD, A.N.A. 


AMERICAN: 1848—1909 


36—ALONG THE WHARVES AT EVEN we 


Height, 181 inches; length, 30 inches 


A sroap stream fills the foreground and extends toward a distant 
city, whose towers appear before an after-sunset sky; on the water the 
soft glow from the rose and dulled-gold and gray of the clouds. In 
mid-stream and tied to wharves at right and left are working boats, 
with and without sails, and some figures about them appear in the 
dimness. 


Signed at lower right, G. H. McCorp. 


Exhibited at the Industrial Exposition, Milwaukee. 


Property of the Biutines Estate Corporation. 


i, F ROSWELL MORSE SHURTLEFF, N.A. 
OO San 


| (0 0. 


AMERICAN: 1841—1915 


37—THE OLD BEEKCH 


Height, 20 inches; length, 25 inches 


Own the left the foot, with the lower branches, of a fine old beech stand- 
ing somewhat isolated in a forest of lesser trees, whose foliage leaves 
no sky visible. In the open space of the rough, uneven slope neighbor- 
ing it, a buck and a doe are seen in the soft, wood-interior light, and 
glints of sunshine lighten the verdure of mounds beyond them. 


Signed at lower left, R. M. SHurrierr, N.A., and again 
on the back, with the title. 


Property of Mrs. R. M. Suurrierr. 


EDWARD MORAN 
AMERICAN: 1829—1 901 


38—AN OCHAN TRAMP 


Height, 20 inches; length, 30 inches Purut hy. , 


OxLp ocean under a sky of white and gray, humid, moisture-laden 
: clouds, which, parting, open a suggestion of blue, and allow sunlight 
~ to come down and silver the emerald surface of a moderate, confused 
sea. Steaming forward and toward the right, and helped along by 
sails, one of the black and red tramps of the ocean, the wind sending 
her black smoke ahead of her sluggish progress. 


Signed at the lower left, Epw. Moran. fa 
=| Gann Sak, AV 5 My : 
Property of the Estate of Enwarp V. W. Rossirer. 


LEON VICTOR DUPRE 


id Frencu: 1816—1879 
120 - | 
x 39—_LANDSCAPE AND CATTLE 


Height, 22 inches; length, 32%4 inches " q. (Uatlsek | 


Towarp the end of the day a herd of cows are seen in the middle dis- 
tance, some still grazing, some standing placidly, a white-capped 
peasant girl watching over them, in a flat country of rough green 
meadow land with suggestions of harvested fields beyond. ‘Trees de- 
tached and in groups are widely scattered, the sky is gray and white, 
and the light is soft in its subdued glow on the varied coats of the 
cattle. 


20. 


Signed at lower left, Vicror Dupré, 1855. 


Property of the Brnuixncs Estate Corporation. 


{[7-o- 
z= <_< Naa  Anmntcan: 1841—1915 


120. 


ROSWELL MORSE SHURTLEFF, NAL 


40—THE GIANT, FROM ST’. HUBERT’S 


- Height, 20 inches; length, 25 nen ‘ | ie ee 


In the background a high and mounded massive mountain. top, rising 
before the white clouds billowing 1 in a blue sky, and viewed between tall 
and dense trees standing at either side of the picture. The mountain 
is sunshine, its verdant face broken by gray rifts. In the green 
valley below, cows in a TR OOH ihe in the forest gas a brook. 


| Signed at loner left, R. M. Sate N.A. “| 


Property of Mrs. R. M. SHURTLEFF, 


EMIL CARLSEN, N.A. 


American: 1853— 


41—"WEIR'S PLACE AT WINDHAM” 


Height, 25 inches; length, 30 inches . 4 
. ao ae nacho a 


Bryonp a level foreground of green sward, with the longer grasses 
showing a yellowish tinge, a background of varied trees, with dense 
foliage, under a sky of soft blue heavily veiled with light cloud vapor, 
in which here and there occurs a vague mauve suggestion. Before 
and among the trees are cream-toned cottage buildings, and other 
buildings of a country place in grayish tone, and on the green in 
front of them a tall tree stands detached, its green crown a broad — 
arch—the whole enveloped in the soft atmosphere of a hazy sunny 
day. The Connecticut summer home of the late J. Alden Weir, N.A. 


Signed at lower left, Emm Cartsen, 


Property of Mr. Duncan Putts, who disposes of the above de- ; 
scribed painting because of having other examples of the artist, = 
besides lack of storage facilities. 


‘THOMAS MORAN, N.A. 


IN bite Pig Rees 


42—_LL AN DS CA PE 


Height, 20 eh length, 30 “ 1, 


In partly « open ground at the outskirts of a wood a Sareea re- 
-flects a bit of the white-clouded blue sky of a fair day, and around 
it the grass of knoll and. hollow and the foliage of masses of trees show 
the fresh greens of early summer.’ At right the twisted trunk of a 
blasted tree still struggles to put forth life, and at its foot a bluish- 
gray rock, cool 1 in partial het is warmed 1 in a ey lichen eee 


Signed at the lower left T Monaxy 1903. 


Pr operty of Miss L. Homtee 


oo ie 


cet ee aE I TT 


ee 


EDWARD WILLIS REDFIELD — 


We Jt a Us : My. 
43—S LEIGH BELLS | en: ‘3 


ie “a Height 26 inches; ae 32 hoe 
lee 
Aneap of the spectator as he looks down a broad, snow-covered coun- 
try road, a woman and a child are walking at one side, and a gray 
horse with ears:cocked briskly is trotting nimbly along, at the shift- 
ing-bar, drawing a cutter in which is a single passenger, wearing a red 
cap. Bluish shadows cross the white blanket of the snow, houses are 


at either side of the road, with trees brown and bare, and an occasional 
evergreen in a yard. 


AMERICAN: 1868— 


Ww. + Col 


Signed at lower ania E. W. Repriexo. 


Property of Mr. Duncan Puiwiups, who disposes of the above de- 
scribed painting because of having other examples of the artist, 
besides lack of storage facilities. 


as 


WE. 


CHARLES A. PLATT, N.A. 


iti 


44—MY GARDEN IN WINTER 


Height, 251% inches; length, 301% inches mn EK. a 


Tue spectator looks from a terrace or porch, the line of vision lead- 
ing down an entrance stair and straight across the garden to a gate- 
way of a low outer wall, and on to rolling fields, hills and a winding 
stream beyond, the ground snow-covered under a gray. winter sky. 
Shrubs project through the snow, and the yellowish covering of semi- 


circular beds bordering the walk relieves the white, while in the broad — 


and varied landscape of the distance are oc and other trees, 
green and brown. 


Signed at lower fess Gi Ad ‘Phare 


Property of Mr. Duncan Puiturs, who disposes of the above de- 
scribed painting because of having other examples of the artist, 
besides lack of storage facilities. 


GLI TORIES PRD NALINI I PS SINT ETI AMBION a MEENA LES SII OE tl 


FELIX ZIEM 


Frencu: 1821—1911 | 


45—FETE ON THE GRAND CANAL, VENICE 
(Panel) 
Height, 25 inches; engl 32° inches 


Ww.» 


THE water is a rich turquoise-blue, with areas of green Be tem thd 
sky a deeper blue on high and exhibiting tufts of vapor, which ea 
more dense below and settles in banks of mauve along the horizon. 
At right in middle distance the Campanile towers above the rose = 
Palace of the Doges, at left San Giorgio, and beyond it the Dogana, 
and nearer by in mid-stream is the State barge, with its white sail 
reflected in the water. On a warm sandy foreground shore are 
persons in costumes of rich color, at a point of embarkation. — Sa 


Signed at the lower right, Zien. 


Purchased from the late Theodore C. Noe, New York, 1905. 


Pr operty of the Estate of EKpwarp V. W. Rascne 


Os:2741 « le tenscgnannk fond bey Etats akg pcos 


<4 oi . * BERNARD DE HOOG 
oe | 
= | Durcu: 1866— 


46—THE FRUGAL MEAL : 
Height, 284 inches; length, 32 inches 
Yb. 


A COTTAGE room Lai a many- rates window at the left, in eee light — 
a peasant in from work sits at a plain wood table, with his: wife, a fair e ‘ 
young woman in a Dutch cap. They serve their plates from the single 
steaming dish that furnishes the meal, and picture a placid content- 
ment. At the wife’ s elbow an infant’s rush ie partly Bee by 
a greet drapery. | ete 


Signed at the lower right, B. pr Hoos. Ben: 


rz: PTA 
Sars — —= 


Property of Miss L. Horrmann. 


Suna oe steed 


Salt 


(35 


Bice 


Sas. 


CLAUDE JOSEPH BAIL | 
FRENCH: 1862—1921 


YOUNG WOMAN MAKING LACH 


Height, 2834 inoher width, 2344 inches 


Ix a room with plain and low-toned walls two young women are eeated 
in the light coming from an embrasured window at the left. “One fac- 
ing the observer and the right, three-quarters front, wears, a Tose-— 
hued waist, light shoulder scarf and fluffy white cap,a gray skirt 
and light apron, and is giving attention to work on her lap, which her 
companion also is carefully studying. The second young woman, evi- 
dently a maid, at her close observation, leans forward with elbows 
resting on knees, and is seen profil perdu. She is in dark dress with 
a large light apron. aes 
es Signed at lower right, Wat doer. 


Property of Mr. Duncan Puiiurs, who disposes of the above de- 
scribed painting because of having other examples of the artist, 
besides lack of storage [eres 


WILLARD LEROY METCALF 


AMERICAN: 1858— 


" 48—PONT ROYAL, PARIS — | Were 7 


Height, 26 inches; length, 29 inches 


In the foreground and toward the left the broad street along the left 
bank of the river, facing west, with cabs strung along the curb, and 
pedestrians on the sidewalk. The roadway as it swings to right across 
the bridge, in the middle distance, shows a greater activity of traffic. 
On the Seine below an occasional steamer, and on the farther bank and 
in the distance the green masses of dense trees in the Tuileries gardens 
and beyond. Rosy horizon under a greenish robin’s-egg sky. 


3. 


Signed at lower left, W. L. Mercaur, 1913, and again on | 
back with title. ‘ 


Property of Mr. Duncan Puiuuirs, who disposes of the above de- 
scribed painting because of having other examples of the artist, 
besides lack of storage facilities. 


“KNEE fhe haat Us oe eenacgronanh fm Mea ie 


_ >. 5. .° ‘THOMAS MORAN, N 
BME ee Sa AMERICAN EU LOO u ae 


in thé ae light a a full moon, wanes 
banks pa dispersing mists. 


ge suis ara cies a a lower 


Property of Miss L. HorrMann. 


Be CHARLES WEBSTER HAWTHORNE, NAL 


AMERICAN: 1872 a 


50—MOTHER AND CHILD 
(Panel) — Z 
Height, 33°4 inches; width, 30 inches 


Portrait of a brown-eyed and affable young mother with brown hair, a 4 | 
and rose in her cheeks, seated and holding on her lap and close to_ 
her breast her small child, who has chubby and rosy cheeks and bright 
dark eyes—and seems to find its thumb succulent. The mother faces 
the left, three-quarters front, and is observed at three-quarters length, 
and is clad in a rich golden-yellow. The child is in greenish-white. 


on es 
i. 
— 


Signed at lower right, C. W. Hawrnorns. 


Property of Mr. Duncan Puinurs, who disposes of the above de-— .. 
scribed painting because of having other examples of the artist, 
Besides lack of storage [aCe 


a - “ ~° —_— Se ee cong ee i a ee mS eS ee a a = Ee eee ee 3 _ - = —EEOOooo 


WALTER GRIFFIN, A.N. a 


135 © : | - Aneeerouns 1861— 4 


te, 
ame 
ena 
oe 


Bec eteL NEY, CANAL, VENICE 


Heghe 33 inches; length, 3614, inches See 


Jo50. 


A composition in the rich splendor of color characte¥istic of the 
artist’s latter-day work, a wealth of pigment made to speak i in vibrant — = 
tones, brilliant as sunshine split into its elements. Foreground and a 
middle distance are water of the canal, ruffled and polychromatic, at — a 
right a gondola is disappearing from view, and at right and left p 
berane it are boats with their lateen sails raised, lying near the gon- 
dola posts in front of the buildings which form the background. ; 
These palaces continue the richness of the whole blaze of color mak- 
ing up the picture, and at the extreme right, above the oe there is Sa 
a glimpse of sky. foo Bs 


Signed at the lower ee: Gaene q 


Property of Mr. Duncan Puiviips, who disposes of the above de- 8 
scribed painting because of having other examples of the artist, 
besides lack of storage facilities. ee 


a> ae 


a ame HARPIST 


a 


Height, 32% inches : length, 


in orb the hae iSresertee at fees more thar 
in shadow of trees, with the play of the subdued. 
not the least interesting of the charms of the pic 
at slow tempo a harp which rests between her kne 
picture limits, and between its strings the eye t 
lights of an after-sunset sky, blue and dull 


™ 


Property of a Private Owner. 


SS SS Se aS 


a. se mmr rt cn aN aN 


JEAN FRANCOIS RAFFAELLI 


Frencn: 1850— 


583—NOTRE DAME DE PARIS 


Height, 2484 inches; length, 4215 inches 


eancttshierietanei 


Tue Ile de la Cité occupies the central distance, and the twin towers 
of the cathedral appear above the roofs of nearer buildings, white 
and gray. The composition takes in not only the island and the blue 
Seine but both banks of the river and the neighboring conspicuous 
buildings and numerous trees. In the foreground and to left the broad 
gray and yellow-sandy quay is piled with freight near the water’s edge, 
where a boat is lined up, and men and horses are at the business of 
the day. 


Signed at the lower left, J. F. Rarrakw1. 


Purchased from Durand-Ruel, New York. 


Property of Mr. Duncan Pups, who disposes of the above de- 
scribed painting because of having other examples of the artist, 
besides lack of storage facilities. 


EUGENE JOSEPH VERBOECKHOVEN 
Beucran: 1799—1881 


54 SHEEP AND LAMBS 


(Panel) 
Height, 241% inches; length, 3444 inches 


Own a low sandy and grass-covered mound in a section of dune land, a 
group of sheep, carefully studied, are depicted in the foreground, in 
bright sunshine from the left which throws their shadows on the grass, 
and on a distant hillock others of the flock are seen. Of those in the 
foreground a gray one stands before some low bushes, a white one 
is lying down with two lambs at her side, and a sheep with a brown 
face behind her, also recumbent, eyes the spectator across her back. 
In a stream two wild ducks of brilliant plumage are swimming. 


Signed at lower right, KucENE VERBOECKHOVEN, 1859; 
and again on the back, in a declaration by the artist 


dated at Brussels, the same year. 


Property of the Brr1tincs Estate Corporation. 


PIERRE VAUTHIER 


CoNTEMPORARY _ 
55 THE FRENCH FAIR |, 4 (LU Mew + 
O- (Pastel) ; 
a Height, 274 inches; length, 4614 inches 


A sroap street leads directly ahead of the observer, toward towers and 
b ry 5 city buildings mistily developed on a day of light showers. To right, 
buildings surmount high green banks, and to left, on the terrace of a 
wooded park, itinerant entertainers in scarlet cloaks and other gay 
costumes are holding forth. The street in front of them is filled with 
a motley throng, and the moist pavement is variegated in sundown 
reflections. 

Signed at lower left, PrerRE VAUTHIER. 
Property of an Estate. 


4 | 
| 
: 


HELEN M. TURNER 


— AMERICAN: CONTEMPORARY an 

aU » 

o 56 MORNING 4 Ce Ceku 
Height, 344% inches; length, 4414 inches 


From a veritable bower of blossoms, though not a formal arbor, a 
j v 50. young lady looks toward the spectator, facing fully the front, as she 
is seated with figure slightly to left, on a bench on a balcony. A gar- 
den with trees behind her. She is in white negligée, with an open 
sweater of turquoise-blue, and leans with one elbow on a many-colored 
cushion and the other arm extended along the bench back. She holds 
lightly a freshly gathered bouquet, and a basket of flowers les be- 
side her, while the outdoor background scintillates in floral luminosity, 
the fresh morning light flashing also from the lap of her white dress. 


Signed at the lower right, HELEN M. TuRNER, ISTSSeN 


Exhibited at the National Arts Club, New York, 1922, where it re- 
cevtved the second prize. 


Property of Mr. Duncan Puriwups, who disposes of the above de- 
scribed painting because of having other examples of the artist, 
besides lack of storage facilities. 


ROBERT CRANNELL MINOR, N.A. 
AMERICAN: 1840—1904 


7—DUTCH WINDMILL 


Height, 30 inches; length, 50 inches Wivyeere os “YY. 


Aw extensive range of landscape, green and brown, is presented before 
a luminous afternoon sky—lowlands, slightly rolling, with trees and 
brush at left and right, and also in the central middle distance about 
a windmill which is silhouetted against the sky. Beyond the mill, broad 
fields are indicated, and at right, among the trees, cottages. In the 
foreground, before the mill, a pond or winding stream, with grasses in 
its shallows and its surface reflecting sky and mill. 


Signed at the lower right, Mrvnor. 


==} 
[ 


Property of the Bituines Estate Corporation. 


= FREDERIC EDWIN CHURCH, N.A. 


Peicaw 1896-41900 = bt rrntf- 2 7 


‘58-WATERSIDE LANDSCAPE WITH FIGURES 
Height, 32 inches; length, 48 inches 


Ar left tall, large and graceful trees, with lesser outposts, the end 
of a wood, ceasing at the low, yellowish bank of a stream, whose farther 
shore on the right and in the distance is also wooded, and reveals 
groups of palm trees in the grayish, foggy obscurity that envelops it. 
At the wood-edge in the left foreground a girl of Italian type who 
seems to be holding a freshly caught fish, and on the stream two boats 
of sandola type broadly housed over, with men in them. Through a 
_ cloud-rift sunshine plays on the foreground shore. 


Signed at lower right, F. E. Cuurcn, 1881. 


Property of the Birtincs Estate Corporation. 


bo “Srgveg eee Pe ee i 
ae ? Pade! | Argo. 


Cie PAUL DOUGHERTY, NAL 


| “AMERIOAN. sve Hs 


59—BETWEEN SUNSET AND MOONRISE 
Height, Be inches ; length, 431, inches. os 


Day is not done at the seashore, the sea at the left extending to the _ 
distant horizon; the moon, pale gold, straight before the observer’s 
eye, appears above a bleak and rocky coast, treeless but verdant, on 
the right, its green and rounded surfaces broken by iron-stained ex-' 3 
posures of the steep and massive cliffs—high in the background, below — 4 
the eye in the foreground. In cavernous depressions between them and 
against their foot, seas plunge and gt — gee vibrant reflec: a 


“2 


tions in the luni-solar light. | ao! = | a 


Property of Mr. ie Puitiipes, who disposes of the above de- a 
scribed painting because of having other examples of the artist, 
_ besides lack of storage facilities. 


Nine Q- ROSWELL MORSE SHURTLEFF, NAL 


emcee is41— > ip bate 


60—EDGE OF THE FOREST, KEENE VA LLEY 
5 60 . Height, 30 inches; length, 40 ene | 


In the interior of a forest of second growths, tall slender trees and 3 
slenderer saplings show light trunks amidst foliage of ‘soft greens, 
which aloft throws an intermittent screen before a blue sky and alow 
becomes dense in mingling with the leafage of the underbrush. Sun- 
shine filtering through gilds yellowing patches of the moss covering a 
huge boulder near the centre of the middle distance, beyond an eee E. 
foreground of verdure and gray earth. sch alta eek L = 


a a 


é “Signed at lower right, R. M. Suurrierr, N.A. 


Property of Mrs. R. M. Srrurrzerr. 


J/Q00.. ~ > FRANK W. BENSON, NAY ie « | 


AMERICAN: 1862— + 


a ee 


LST SRST, May 


61—REFLECTION i Are 


a 


) ) ava —- Height, 44 inches; width, 86 inches = 


ESS acanen eS te me 


We a 


of rose in her tke and nels cut it fenton coe hed: a Sine tabled - 
and facing front, with head turned slightly to her right, as she looks — 
at a glass held in her right hand, which rests on the table. Beside 
the glass is a large bowl of flowers, and blossoms that have dropped — ie 
on the table. She wears a coat of golden hue, with a soft confusion 
of delicate color notes in its broad collar and trimming, os falis | 

below her knee over r her hight skirt. 2S JOO ae Sais | : 


-Ag 


ocr 


Signed at the lower left, F. W. Brnsov, 1921. 
Property of Mr. Duncan PHIuies, who disposes of the above decom 


scribed painting because of having other esti) of the artist, — 
besides lack of storage fae 


gor 
| Be GEORGE INNESS, N.A. 
On.) AMERICAN: 1825—1894 


Oe 62—INDIAN SUMMER: 1894 UA 
“a Height, 30 inches; length, 411% inches — 


retain the richness of their autumn color in intensified note, and seem 
the more splendid above the browning herbage of the ground. Here a | _ 
t ia: , young and slender tree with foliage a rich and brilliant red stands 
to left of centre, the observer’s view cut off just short of its top, one 
of three saplings in a group, its neighbor still farther to left clothed 
in leafage of rich yellow, while the comrade tree between and behind Y 

them is still green. Partly shaded, a low gray shed comes to view. 
To right the grasses and brush are a soft green and deepening brown, © 

and a figure seated on a log and another standing are suggested 

amongst them, stilled in observation and contemplation under the 

spell of the hour and the season. The sky is a soft turquoise, with 
light clouds jaundtres. 3 


| , % 0 g A RARE day in the peace and quiet of late fall, while still the trees ‘_ ; 


Signed at the lower right, G. InneEss, 1894. — = | 


Purchased from Mr. Inness by the congregation of the Central Church, 
Chicago, for presentation to their pastor, the Reverend Doctor 
Newell Dwight Hillis, on resigning his charge to become pastor Bs a 

_ the Plymouth Church, Brooklyn, New York. 


One of the last completed works of the Artist, who died in 1894, and 
considered one of his most important examples. It was sold im 
the sale of the collection of Emerson McMillin, Esq., January.< © 
1913, and purchased by Messrs. M. Knoedler & Co., from whom 
the present owner obtained the painting. 


Reproduced (No. 49) in “Fifty Paintings by George Inness,” pri- 
vately printed and copyright by Frederic Fairchild Sherman, 
New York, 1918, with introduction by Elliott Daingerfield, N.A. 


“I do not believe that anyone, whether craftsman or connoisseur, will ever 
rightly comprehend the art of George Inness unless he places himself squarely on the 3 
platform of the man’s religious convictions, and seeks in his work those eliminations 4 
of the gross, or the material, in order that the spiritual may be seen, which was the 
aim and the intent of his best and. highest effort.’—From Mr. Daingertfield’s: intro- 
duction to “Fifty Paintings by George Inness,” above referred to. 


Property of Mr. Duncan Puitiurs, who disposes of the above de- 
scribed painting because of having other examples of the artist, 
besides lack of storage facilities. 


| 4307] 4 (baregldh ze fie Spell hel 8 KU78- pe 20 ~ 
lA. bot bL EZ bey 191 8- BAK EXX 4 


“G27. On corse gumank foerd 6 Wpallfic “yim 


JULES DUPRE 


i Fi Parecni 1812 Teeaae 
2 06> 


68 PASTURE ON THE RIVER FAY (inde) 


| 54: Height, 31% inches ; moe ATT), 


A srrercu of low green pasture land dotted with flowers crosses the 
foreground, which nearer by is partially overflowed by waters of a 
brook affluent of the river which shines white in the middle distance. | a 
Cows lie at rest or graze in the pasture, others stand in the shallow ; a 
foreground water drinking, and a man driving a field cart is crossing 
the shallows. Along the river bank are many gray boats, with figures — 
seen in some of them, at the right the edge of a green forest comes to 
view, and in the distance are. rolling: hills, some under the shadow of 
lowhanon rain clouds drifting in a light sky. 


Bs at the lower right, Jur Deere, 1842. 


From the collection if Robert Davis, Esq., Wes Hee Catford, 
Kent, England. Wo Yond aus aolu a 


Property of a (enemy ve 


CHARLES FRANCOIS DAUBIGNY 


peers -1817—1878 


64—LES COTEAUX DE atonal 


KG 5 OF. Height, 3134 inches; length, 51 inche pS f 

a 

ie hills begin | in the middle distance on the right with a art 

lined with trees in autumn foliage of yellow-brown, and exter d wi 
irregularly flattened tops leftwards in the background, under f h 2 

ened light of a cloud-screened sky. On the low ground of thee ent | 


valley bushy trees partly 1 in their own shadow extend ater f rom 


: = 
skirts the hills and broadens out in the foreground, aves his i “i 

the hight sky and the dark shadows of these trees. Reeds are a a . 
stream’s edges, and pollarded trees. 


pe at the lower left, Dausieny, 1 69. 


From the collection of Raper Lae, Esq., Walmer House, Catford, 
Kent, TB SORE 


Fs 
¥ 


Property of a Connoisseur. 


“/ ot ees ERNE HARPIGNIES mos 
Ib & 0 


Frencu: 1819—1916. 
ae ocr 


65 LANDSCAPE: ON THE MEDITERRAN. fi IN 
16S 0. : Height, 891% inches; length, 491/, inches | 


From the right an arm of the great sea puts in between a low green 
foreground shore and a mountainous shore in the background, rugged, 
barren, rocky and of reddish-sandy hue; the farther shore in bright 
sunshine from the left, the nearer shore in cool shadow. Here wild 
grass and brush are green, and the ground is threaded by wandering 4 
grayish paths, and at right a wall of rough stone projects into the = 
picture... Within the shadow also, and at its boundary, are trees of Bs 
erratic growth and eccentric branches, their bushy tops partly in the 
sunshine, which illumines also the low and varied middleground shore 
beyond: them. The surface of the sea, smooth but with breeze enough 
to move sailing-craft, is turquoise-blue, with turquoise-greenish areas 
and hints of the qedgsl cantly steeps. reflected from the far side. 


Signet at the lower left, eb Henpieaa 1865. 


From the ‘oneenon of Roberi Davis, mas Wiiiities hare Catford % 
Kent, England. vA 


Property of a Connoisseur. 


EUGENE FROME NTIN 


Pew cH: 1820— 1876 


66-—DANSE ARABE 
Height, 39 es ; length, 5534 inches 


Roven and bare ground, a yellowish greenish-gray, supporting a few 
low plants near a pool toward the right, is made the scene of an 
Arabian dance with many onlookers seated and standing about, two _ 
of them on horses. An enthusiastic dancer in white and purple, yellow 
and blue, with tambourine or small drum raised joyously above his 
head, is in the act of jumping clear of the white cloth spread for his — a 
dance and held in place by the feet of two huge men who furnish these 
music. The musicians and others of the assemblage are in crimson, be 
and still others are in blue, orange and white. Immediately back of Gam 
the company is a ridge with dark verdure, and in the distance are 
barren and broken Hence, under a blue sky with mauve, ory ly. 
white clouds. ion i . a 


Signed at the lower left, Kuve, ELE 


From the Sarlin Collection, oh We Ane on tan ed iow 
Fr om the Georges Petit Collection, Paris. | 


Property of a COmidissbuk 


> EDMUND ‘H. OSTELATSA 
ae has | | Awenicay: Cosma ors ah ; ; " 
67 HUNTING DOGS — ga a = 
Height, 35 nike length, 50° a ae 


550: ya 


Crownine a knoll, trees spread to right and Me winds Hon and | 
green, and others showing the colors of autumn, whose hues also en- 
liven and enrich the rough herbage encompassing the knoll. Her 
the foreground, three alert setters, tails extended and ners 

= +3 


Signed at the lower right, Epa. i. Osrnavs, 


Property of. Miss. L. Horrmany. 


wa 


il - RICHARD WILSON, R.A. 
“ o%% Encuisu: 1713—1782 
yer 
“~~ 68—CLASSIC LANDSCAPE 


a 


gi 


re Height, 18 inches; length, 24 inches. 


Aone the left, a range of mountains, with sides wooded and peaks 
rugged and bare, receding in the distance toward the right, where 
they shine in bright sunlight in a hazy atmosphere. A tortuous stream 
traverses their base, separating them from uneven lowlands, and in 
the foreground at the right trees in sharp silhouette rise beyond the 
picture limits. In the centre of the foreground a semi- -nude fisherman 
drags ashore his net. 


a 


Purchased from the Elirich Cnleee 


Property of Mr. Duncan Puitiprs, who disposes of the above de- 
scribed painting because of having other examples of the artist, 
besides lack of storage facilities. 3 


“SIR HENRY RAEBURN, Pa 
aENGuse? 1756— -1823 


"CLARK OF MON ROSE” 
| Height, 30 Hee width, 25 inches ele 


TIS: 
Porrrarr at half-length of a man in middle life, figure somewhat to 
right and face almost full to the front, with his blue eyes on the f 
spectator. He is clean-shaven save for short “sideburns,” and his 3a 
very light hair is in carefully-careless disarray, with a curling lock 
well down on his high forehead. A white stock binds his high Sheetal 
collar, and his Sats waistcoat is projected well above his dane double- E 
breasted coat, which has ere buttons. that catch the ee a " 4 


i 
r 


Property of Mr. Biicar Puintiips, who dispauee “on he ibabe de-\ 7 
scribed painting because of having other senamnples of. the wah § ig 
besides lack of storage facilities. | 


*. 


ae Poe eae ey! kh ee oe wer 7 ie 
eer” ae oe : . 7 ahaa = = a ‘oe 


SIR THOMAS LAWRENCE, PRA. 


Eatin: 176902100 


10—THE TWO SISTEES 
Paced Height, 50 inches; width, 37 inches a a: ee 


In white décolleté gown, lace-trimmed and with shoulder ‘Siete the 
high waist marked by a blue sash, the elder sister stands at the centre — 
of the composition, facing the spectator, with figure turned ote 
to the left toward the great harp with gilt ornamentation which she 
is in posture of playing. She is fair with blue eyes and rosy cheeks 
; and braided and curled chestnut hair, and is observed nearly at full — 
length. Beside her at the right her younger sister is seated, looking 
upward, with figure to left and face seen in profile. Her white gown is — 
décolleté and she wears a purple- pink sash, and in one hand resting: a 
on her knee she holds the music of a song. ee i on 


ne A ante DIMES DOM EE IE Sete a nie Oa a 


pe neem oa Sancta erent ah ee setmp ery BC 


From the Theron B. Blakeslee Collection. — 


Property of a Connoisseur. 


ROBERT TOURNIERES 


Frencn:: 16681752 | 8 


T1—LE TEE ee DE FONTANGES: pe : 
AND HIS DAUGHTER ss 


Height, 53 inches; width, 4114 inches 


SEATED and facing the observer the Marquis ere slightly ad rests — 
his left elbow on a railing, over which his hand droops as in protective — | ¥ 
embrace of his small daughter, who, beside him, with her right » elbow pe 
on his knee, also faces the spectator. The child raises her left hand | 3 
toward her father’s, a pet bird perching on her finger. The Marquis, 
observed. nearly at full-length, a brown-eyed man with rosy cheeks and % 
the great wig of the period, wears a coat and waistcoat of a rich, soft 
brown, with gold embroideries, white lace jabot and a rose mantle. His 4 
daughter is in black velvet, décolleté, and wears a hat with. rose and aq 
plume. Drapery and sunset background. . 7 
From the Collection of Dr. Paul Mersch, Consul- General of? Lurem- o. 

bourg. 


Property of a Connoisseur. 


1 —-72_OLD MILL 


THOMAS CRESWICK, R.A. 


Encuisu: 1811—1869 


é 


Height, 56 inches; width, AAT, inches 


Aw ancient mill stands athwart the picture, its great wheel fed from 
an overhead sluice spilling into a winding stream. From the miller’s 
cottage adjoining, behind it, smoke is issuing from the chimney, and 


from the bridge of an extension or wing a youth looks down toward 


two girls, seated and standing on rock shelves of the stream’s bank, sa > 
one bare-legged wearing a dark skirt and light waist, her comrade in 3 
crimson skirt and a grayish waist. The steep bank behind them is _ 


zs 


deep with grass, the red-brown rocks are moss and lichen covered, and 


behind the gray and creamy and heavily thatched mill isa forest of. 


dense trees, in sunlight and shadow. A composition mellow in the 


. . . . . ° . — 
affluence of its color, rich in its sentiment of antiquity and romance. — 


Signed at the lower right in monogram, and dated 1833. 


Property of Mr. Duncan Puitips, who disposes of the above de- 


scribed painting because of having other examples of the artist. 
besides lack of storage facilities. | 


. 
4g 
er 


=) 


JAN BREUGHEL 


FLEMIsH : 1568—1625 A ihe 


73—LE PARADIS TERRESTRE | 
H Aone 45 inches; length, 631% inches 


Tue earthly paradise of the title is represented by a beautiful and 


formal park, with fountain playing on a terrace, a hedge-lined walk _ 


leading to a chateau in the distance, and in the foreground a pavilion 
with another fountain beside a pool. Here in the pool are two swans 
and two fishes swimming, and a duck and ducklings, with other ducks — 
at the water’s edge, at left; at right, two squirrels in a fruit tree. 
At foot of the tree roses blossoming, and in jardiniéres everywhere — 
other flowers in bloom. On the pavilion steps three ladies, one draped — 
in white seated on a vermilion mantle, one gowned in rich topaz, and 
one with a blue wrap falling from her breast. From a balcony above, 
a man of importance looks down. 3 | | 


Signed at bottom, toward the right, JAN BrEevGHEL, Fc. 
Note: Experts have expressed the opinion that the figures were painted by 


the artist’s great friend, Peter Paul Rubens, who became protector of Breughel’s two 
daughters after their father’s death. 


From the collection of Robert Davis, Esq., Walmer House, Catford, 
Kent, England. Mis Cr 


Property of a Connoisseur. 


ANTONIO CANALE 
7 CALLED a 


IL CANALETTO Ae 


+ 
> 


7 G 0. Re : be 


74—PALACE OF THE DOGES a. 


Tratian: 1697—1768 


Height, 54 inches; length 77 inches 


Ar right the green canal rippled with choppy wavelets, white edged, 
and on it gondolas and sandolas and the state barge. At left the 
Molo and the Ducal Palace, the Prison, and the solid line of build- — . 
ings beyond it curving around to right in the background to the 
limits of the picture. On the boats, steps and landing stages, before 
the palace and in the loggia are many figures in the varied costumes 
of their different ranks or occupations, the colors soft and rich, the 
entire scene in a softened sunlight relieved by transparent cloud 
shadows. : ee Pe ye 


— 


From the collection of Robert Davis, Esq., Walmer House, Catford, i 
Kent, England. 


Property of a Connoisseur. 


Or 76—THE SONG: DECORATIVE PANEL 


~ Nos. 75 to 80 include A Series of Original Studies for the 
a Decorations for the Opéra Comique, Paris. 


LOUIS JOSEPH RAPHAEL COLLIN 


Frencu: 1850—1916 dd L 
75—THE HARPIST: DECORATIVE PANEL “ a | 


Height, 1984 inches; length, 2914 inches 


Warrep in atmospheric space before a richly chromatic background, 
the extended figure of a supple maid partially draped in a mantle of 
pale old-rose, her raised head in profile to the right and her flowing 
tresses blown ahead of her across the strings of a harp, which she 
lightly touches with delicate and graceful fingers. 


Signed at lower left, R. Corin. 


Exhibited at the Boston Musewm of Fine Arts. 


Property of an Estate. 


LOUIS JOSEPH RAPHAEL COLLIN 


Frencu: 1850—1916 (. Brsudis 


Height, 271 inches; width, 17°84 wmches 


Berrore a poetic woodland background with an atmospheric vagueness, ~ 
the standing figure of a young woman, nude to the waist, her lower 
body in a drapery of dulled old-gold and opalescent gray, her long 
and thick chestnut hair hanging below her hips. She faces the left 
and the woods, at the verge of a brook, holding a lyre from whose 
strings one hand has just been raised, and her head is thrown back 
in song. 

Signed at lower left, R. Coun. 


Ea«hibited at the Boston Museum of Fine Arts. 


Property of an Estate. 


78VISION D’ETE: DECORATIVE PANEL 


LOUIS JOSEPH RAPHAEL COLLIN 
Frencu: 1850—1916 


Height, 32% inches; wlth, 1834 inches ies 


FULL-LeNeTH standing figure of a fair young woman with ight hair 
loosened and falling to her hips, clad in a loose white gown of light 
material with flowing shoulder sleeves. Flowers deck her hair and 
she holds with both raised hands a branch of flowers, crossing behind 
her shoulders, and her straw hat is suspended by its purple ribbon 
from her elbow. Bare-footed in the light green grass, with woodland 
background. : 


Signed at lower left, R. CoLurn. 


Exhibited at the Boston Museum of Fine Arts. 


Property of an Estate. 


LOUIS JOSEPH RAPHAEL COLLIN 
Ret ex 1560-1916 


Height, 22 inches; length, 4234 neler lecey [ote a ) 


SEMI-NUDE figure of an auburn-haired young woman reclining in wood- 
land verdure, a diaphanous bluish-white mantle under her shoulders, 
her limbs enfolded in a drapery of golden-yellow, one knee raised. 
She rests on her extended right elbow, with head erect and supported 
by the right hand, her face observed in profile to the left, and left 
hand on a lyre lying on the grass beside her. Hazy atmosphere and 
a distant suggestion of a stream beyond low trees. 


Signed at the lower right, R. Cotxy, 1908. 


Exhibited at the Boston Museum of Fine Arts. 


Property of an Estate. 


rena Saou UN REVE: DECORATIVE PANEL 


LOUIS JOSEPH RAPHAEL COLLIN 
Frencu: 1850—1916 e) pe 


Height, 2214 mches; length, 72 imches 


Reposine at full length, demi-nue, her limbs’ draped in her golden 
mantle, other folds of which are spread beneath her shoulder and 
head, a nymph with a yellow rose in her red-brown hair and face 
turned toward the observer is idly playing a lute, as she lies on a 
carpet of soft green grass. Grasses of taller growth and mingled 
with patches of purplish-brown and touches of yellow fill the back- 
ground, and enclose toward the right a misty pool. 


Signed at the lower right, R. Couzi, 1903. 
Eahibited at the Boston Museum of Fine Arts. | 
Property of an Estate. % 


LOUIS JOSEPH RAPHAEL COLLIN 


Frencu: 1850—1916 ue al me 


80—GRACE PRINTANIERE: 
DECORATINE PANEL 

Height, 221% inches; length, 9314, inches 
On fresh green grass, whose deeper growths make a background ris- 
ing above the picture limits, a skin of white and purplish-brown fur 
is spread, and on it a dark-haired nude youth is seated, playing the 
pipes. Before him a fair-haired maiden in white reclines at full 
length, facing him in listening, dreamy attitude. Wild flowers spot 
the grass in front of her and a pale gold mantle is seen beyond her 
shoulder. Signed at the lower right, R. Contin, 1903. — 
Exhibited at the Boston Museum of Fine Arts. 
Property of an Estate. 


AMERICAN ART ASSOCIATION, 


MANAGERS. 
THOMAS E. KIRBY, 


AUCTIONEER. ee | 


eZ as 


orm or 
on 


~ 


= ein ocean 


ee te een 


| i ba Bae = 
LIST OF ARTISTS REPRESENTED = 
AND THEIR WORKS fe ze 


v- = - e 


erick Nappanee ec nd yeh | te all) ne 


LIST OF ARTISTS REPRESENTED 
AND THEIR WORKS 


ARANDA, Don Josk JIMENEZ 


Market Place, Sevilla 


BAIL, CLaupE J OSEPH 
Young Woman Making Lace 


BELLOWS, GEORGE, N.A. 


A Wet Night 


BENSON, Frank W., N.A. 
Reflection 


BERNE-BELLECOUR, ETIENNE PROSPER 
A Soldier’s Refreshment 


BREUGHEL, Jan 


Le Paradis terrestre 


CANALE, Antonio (cattep IL CANALETTO) 


Palace of the Doges 


CARLSEN,’ Emu, N.A. 
“Weir's Place at Windham” 


CHURCH, Freperic Epwin, N.A. 
Waterside Landscape with Figures 


CATALOGUE 
NUMBER 


23 
47 
34 


61 


41 


<1 ann 
ae 


CATALOGUE 
NUMBER 


COLLIN, Louis J OSEPH RAPHAEL 


a oo 
bra: "7 


The Harpist: Decorative Panel 75 
The Song: Decorative Panel | Ry eit 
Flora: Decorative Panel ee Te 
Vision d’Eté: Decorative Panel — 783 
Dans un Réve: Decorative Panel 3 70> a 
Grace printaniére: Decorative Panel = | SISO ae = 


CRESWICK, Tuomas, R.A. = 
Old Mill | 72 ae 
DAUBIGNY, Cuartrs FRANcots 


Les Coteaux de Valmondois — 64. 


DOUGHERTY, Paut, N.A. 


Between Sunset and Moonrise ; 59 


~DUPRE, Jurzs 
The Cottage | a ‘eee 
Pasture on the River Fay (Indre) - 63 


DUPRE, Lion Vicror 3 
Landseape and Cattle . 39 


EATON, CHarLtes WarrEN 
Autumn near Greenwich, Connecticut 16 


FROMENTIN, Euvcenr | 
Danse Arabe 66 


GRIFFIN, Wauter, A.N.A. . 
Grand Canal, Venice 51 


CATALOGUE 
NUMBER 


HARPIGNIES, Henri 


Landscape: In Sunshine and Shade Tat 

Landscape: On the Mediterranean 65 
HAWTHORNE, Cuartes Wesster, N.A. 

Mother and Child 50 
HENNER, Juan JacQueEs 

Ideal Head od 
HIGGINS, Evcenr, 4.N.A. 

A Lonely Street 3 peak 
HOOG, BERNARD DE , 

Mother and Children | 13 

The Frugal Meal | 46 


INNESS, Grorer, N.A. 
Indian Summer: 1894 62 


ISRAELS, Josrr 


The Harpist 52 
JACQUE, CHartes EMILE 

Sheep and Chickens 

The Master of the Roost 8 
JOHNSON, Davin, N.A. | 

Scenery at New Berlin, New York 3 
KEVER, Jowan Simon HENpDRIK : 

Bij de Wieg (By the Cradle) 28 


KNIGHT, DanieL Ringway 
At Rosny 5 
In the Garden a7, 


ca wi i, 
was 


+ fa 


LAWRENCE, Sir Tuomas, P.R.A. 
The Two Sisters 


LEURS, J. f 
Landscape and Cattle 


McCORD, Grorce HeErsert, A.N.A. 
Along the Wharves at Twilight 
Along the Wharves at Even 


METCALF, Witiarp LEroy 
Pont Royal, Paris 


MINOR, Ropert Crannety, N.A. 
A Cloudy Day in Kent, England 
Dutch Windmill 


MORAN, Epwarp 
An Ocean Tramp 


MORAN, THomas, N.A. 
Sunny Venice — 
Landscape 
Moonlight 


OBERTEUFFER, Mure. H. A. 
Still Life 


OSTHAUS, Epmunp H. 
Hunting Dogs 


PASINI, ALseErto 
An Arabian Bazaar on the Outskirts of Damascus 
Mosque and Market Place 


a 
_ CATALOGUE 


=< “ge 
a c 


eles 


« nm, 


eS 
eh 
AS sy 
\ * 
5 
4 


19 


j ae 
r ) 
aS F 
38 “ 
i a 


67 


27 


- om CATALOGUE 
l ay vi NUMBER 
= PIETERS, E. 
Dutch Interior with Figure 29 


F PLATT, Cuarwrs A., N.A. 
My Garden in Winter LA. 


RAEBURN, Siz Henny, R.A. 
“Clark of Montrose”’ 69 


RAFFAELLI, Jean FRANCOIS 
Notre Dame de Paris 53 


REDFIELD, Epwarp WILLIs 


Sleigh Bells, 43 
ROBINSON, Tueovorr, S.4.d. 

A Cobbler of Old Paris 30 
SANCHEZ PERRIER, Emuzio 

‘Riverside, Pontoise 12 

Along the River: Sevilla 20 


SCHERREWITZ, J. 


Loading Wood Li 
SHURTLEFF, Roswrett Morse, N.A. 
Early Summer, Keene Valley 24 
Across the Meadow, Keene Valley 35 
The Old Beech 37 
The Giant, from St. Hubert’s ; 40 
Edge of the Forest, Keene Valley 60 


TOURNIERES, Roserr 
Le Marquis de Fontanges and His Daughter ria 


| TRYON, Dwicut Wim, N.A. 


After Sunset 


TURNER, HeEten M. 
Morning 


VAN COUVER, J. 


Old Amsterdam 


VAN MARCKE, Emme 


Young Bull in Stable 


VAUTHIER, Pirrre 
. The French Fair 


VERBOECKHOVEN, Eucrnet Josep 
Sheep and Lambs 


7 VEYRASSAT, JuLes JAcQuEs 


La Fin du Jour 


WEISZ, Jost 
Banks of the Seine 


WHITTREDGE, Worruinetron, N.A. 
~The Forest Brook 


WILSON, Ricwarp, R.A. a 
Classic Landscape 


ZIEM, Frrrx | 
Féte on the Grand Canal, Venice 


INTELLIGENT APPRAISALS 


FOR 


UNITED STATES AND STATE TAX 


INSURANCE AND OTHER PURPOSES 


THE AMERICAN ART ASSOCIATION 


IS EXCEPTIONALLY WELL EQUIPPED 
| TO FURNISH 


APPRAISEMENTS AND INVENTORIES 


OF 


ART PROPERTY, BOOKS, MANUSCRIPTS, JEWELS 
AND PERSONAL EFFECTS OF 
PY ERY DESCRIPTION 


AT CHARGES COMMENSURATE 
WITH THE DUTIES INVOLVED 


THE AMERICAN ART ASSOCIATION 
MADISON SQUARE SOUTH f 


NEW YORK 
TELEPHONE, 3346 GRAMERCY 


2 


COMPOSITION, PRESSWORK 
AND BINDING BY 


eae 


+ 


oh aad 


§ 
t 


: a) ol Raton 
wae offin 


AF, Bunnuer 


-MVFLH. de Hass 

Wm. T, Richards 

Ch, Deshayes 

A, Resier 

BE, Sanehez Perrier 

Agi, Lesral 

W. Baird 

PRP. Gabrini 
Ernst Newak 

Emil Jacque 
‘Fmil 


Jacque 
Suhaten. Perrier 


~ Wietor Le Comta 


Aad Marais 
HEH, Rendel 
Ad Grison 

wT WwW, 

" " 
F, Del Campo 
Proullle bert 

Zism 
y Knight 

Josef Israels W.C. 
Bernard de Hoog 
oJ. Weyrassat 


J, Deminge 

Wa hs Richards 
Wijly Martens 
Chas. Jacque 
gan Menchablon 
Reubens Santore 
Jd. Veyrassat 
JeseL Israels 
rie. pig kerie 


. ; Clays 
Tenet Isvaels 

A.A, Lesrel 

J@an Gustave Jaequet 
Ridgway Enight 

BE, Sanehez Perrier 
Willy Martens 

d, Rosier 

0, de Penne 

Be Neuville 


David Johnson 
R, Chevillarda 
Marais Milton 
Blemmers 

Chas. Jacque 
BL, Blommers 
GL, Seymour 
Ad, Schreyer 
J.V,. Chelminski 


H, Velten 


ankkeehd- cameenen eS 


Solitude 


! 


At Rosuay 


Witching and Waiting 


Dutch Interior 


Halt at the Inn 


Mt. Washington 7 
An Ocean Tramp (Da'g eg 
Morning near Viakbiws (Library 
Summer 
Autumn near Greenwich (Parlor | 
Rvening in Somerset aie se Prk: 
Moonrise (Parlor 
Fishing Boats from 
Schereninzen (Im'g Rm) 
Marine (Library) 
Marine 
Landscape ( Study 
In the Harbor (Stug Rm 
Riverside (Library 
Seidier Louis XIil (Parlor ) 
In the Lane (Dal g Rm) 
Retuming from the Fields (parlor) 
Birthday Morning (Library ) 
At the Waiting Place ( ) 
Rnd of the Day dn"g Rm) 
Ou the Shore of the 0400 (Parlor ) 
Interior 
White Cow ss 
Head Young Girl (Library) 
La DijJestion " 
Fly in Coifee *8 
L'Apris Dejeuner s 
Venice m 
La Loire a Beaulieu " 
Grand Canal ~- Venice (Parlor ) 


(Sting Rm) 
(Parlor ) 


La Fin de la Jounes (Da'g Rm) 
La Bin du Jour {Stng Rm) 
Spanish Cavaliors ” 
Off Newport " 
In Holland (Parlor ) 
Interior Chickens & Sheepftg Rm ) 
On the Siene - France fo dade 
Venetian Gondolier (Library 
The Noonday Meal (Parlor } 
Interior in Holland 
eke af the Herd (Da'tg Rm) 
Pete an Grand Gyre d (Paxbor eae 

On the Scheldt, Yniwasp (Library) 
Making Pancakes Sting Rm 
The Dispute at Cards {Parlor ) 
Indian Head (Library) 
Plower Garden at Rosnay 
Le Alameda Seville Stngz Rm) 
Garden in Holland (Parlor ) 
On the River Oise-#ranca( . 
Hounds ~ 2 pictures { Study ) 
Seldiers & Artlilery 

Feench Aray (Parlor ) 
Landscape New Berlin NY {Parlor ) 
An Idle Moment -y 
The Belated Guest (Library) 
The Lovers (Sing Rm) 
Interior 
Children of the Sea (Library ) 
Ruby (Stng Rm) 
Avab Chief (Library) 
News from Prince Rugene 

de Beauharnois - 
The Information (parlor ) 


(parler ) 


ua 


OS «te OI BBE GA i bast AE Tabac vs ¥ 
bs _ ‘ MALE AAS BE LOR ALO DIC TER Ge) 


Ak aS Roe Hamman Ae 


Sale of Paintings including 


a Grand Exam le of George Inness: | 


belongong to Miss L.Hoffmann, Duncan Phillips, Edward V.W.Rossiter, 
Mrs.R.N.Shurtleff, etc., sold at Plaza Hotel, a aaa 6c 


Price 


$ 50. 
50. 
115. 
180. 
210. 
275.6 
625. 
680. 
525. 
100. 
160. 
175. 
390. 
360. 
325. 
120. 
290. 
825. 
250. 
375. 
220. 


ATS. 


1404 
120. 
LS, 
70. 
800, 
300. 
1,250. 
UTS. 
625. 
150. 
120. 
550. 
160. 
250. 
160. 
170. 
160. 
120. 


Mrs.B.Von Gerbig 41, $ 675. Wm. Macbeth, Inc. 
J.J-Campbell 42. 900. Le Roy Frost 
Rudert,agt. 43. 575. M.Knoedler & Co. 
P.H.Douglas 44, 475. Mi 
Clapp & Grahem. 45. l; 900. Mrs.J.B,Wayl and 
Mrs.M.H.Dodge 46. 800. Robert Anderson 
Miss R.H.Lorenz,agt. 47. 825. " 
Mrs.M.H. Dodge 48. 500. John Levy 
John Levy - 49. Lope. P.H.Deuglas 
F.K.M.Relim 50. 650. Wm.Macbeth, Inc. 
Lorenz, agte Sle 1,350. Will.J.Davis 
Arlington Galls. S26 300. Seaman,agt. 
P. Thompson 53. 500. M.Knoedler & Ce 
Seaman,agt. 54. 300. John Levy \ 
8 55. 60. Walter Drew ey 

Dr.W. Timme 56. 850. F.K.M.Relim 
Paul H.Douglas 57. 800. Seaman, agt. 
John Levy ays 58. 475. ~~ Bernet,agt. 
M.H.Wheelock 59. 1,400. me 
Parke, agt. 60. 500. YWim.Macbeth,Inc. 
Seemen,agt. 61. 1,000, # 

john: Levy—_——_—..aal62. 16,500... Bernet, agt. 
P. Thompson 63. 1,500. R.Austin 
Arlington Galls. 64, 1,500. R.ZAustin 
C.H. Brown 65. 1,650. Mr.Frigmuth 
Arlington Galls. 66. OUT 
Lorenz, agt. 67. 550. Mr.M.H.Dodge 
W.H.Siebert 68. 2208 Ehrich Galls. 

" 69. 425. Ferargil Galls. 

M.Knoedler & Co. 10. OUT 
N.Coleman TW. OUT 
P.H.Douglas TZ 260. Kelly Art Gall. 
Wm.H.Griffin 73. OUT 
¥F. K.M.Relun 74, 2,000. C.D.Peul 
Capl M.Owen 156 100. John H.Frye 
Parke, agt. 76. 120. C.Brandus 
John C.Peyne 77. 400. Bernet, agt. 

_ Bernet, agt., 78. 140. Arlington, Gall. 
R.eNeWallach 79. 150. R.D,Bixley 
C.H. Brown 80. 250. John H.Fry. 


am," by 
Macbeth, 
mas Moran, N. A 
>. “Sleigh 
d to 


ame de 
elli, to_M. 
Turner, 


Windmili,” 
A., to Seam, 


N.-A,, = 
by Frank W. 


« 6 
y 


Charles Fran 
» $1,500; ds 3 


the | 
nean,’” ‘by Henri Harpignies, to 
by 


unch, $1,650; “Hunting Dogs,” * 
pomend H. Osthausg, to Mrs, -M,: Dodge, 
550. . acters 


enh ore eee 


ae 106 110 Seventh Ave., N. nthe a 
| ReBERESENES oa NEW YORK 


Be First Established an 
ree Cutting Bureau in the World 


Vi 


‘Address New oer 


d Most Doitipiete’, 


HERALD 


Sema, 2 


fe, 81928 


* 


mpiy ee ae and or 
_. Paintings Sell for. Total 
of $54,225, 


Highty American and foreign paint- 
ings from the coliection of Duncan Phil- 
lips and other estates and private own- 
ers were sold at auction last night in the 
Plaza Hotel for $54,225. The prize of 
the collection, a fine example of George 
Inness, which was presented to Dr. { 
Newell Dwight Hillis by the congrega- 
tion of Plymouth Church, brought the 
high price of the evening, $16,500. It 
Was an “Indian Summer,” 30 inches high 
by 4146 long, and was bought by Bernet, 
agent, for a private purchaser. | 
The same bidder paid “$1, 400 for a 
Paul Dougherty, “Between Sunset and 
| Moonrise.” Mrs, J. b. Wayland gave. 
/$1,900 for “Fete on the Grana- Canal, i 


| Venice,” by Felix Ziem, and Paul H. 


| Douglas Paid $1,350 fora ‘Moonlight’ 


by Thomas Moran.. A utch Interior 
with Figures” by E. Piet 
Hi: Siebert for $1,250. 


Other ° ata th buyer and price 
follow: © we 


s went to W. 


Palace of the Doges, by Antonio 
Canale (called Il Canaletto); pers “ 
BO Ar SE ie Dee oan me tepcets. 2,000 


2 Jacaue; Mrs. M. A. hole 680 
ottese, by Jules Dupre: John mid 
Levy - Tien tak sare vis dessert LOA 
Idee] Head, by. Jean Jacaiies Henner ;- 
N, Coleman....-..... egihivs dialare 625 
A Wet Night, by George ‘Bellows, N, 
Bae aS Ac, BORE Ae, vince cee 530 
Mosque and Market ‘Place, Alberto Pa- 
sini; Miss. Lorenz, agent........... 800 
Weir's Place at Windham; by ‘Emil 
‘Carlson, N. A.; Wm, Macbeth, Ine. 675 
Landscapo, by Thomas Moran, N. AZ; 
Hiei Roy ETOSt. deo, ves. ~ 900 
Sleigh Bells, by Hdward Willis ae 
field; M. Knoedler.& Covs..z....... S75 
The Frugal Meal, by Bernard de Hoog; . 
Robert Andersonies.:+.s0..6s ‘ 800 
Young Woman Maing Lace, by Claude 
Joseph Bail; Ropert Anderson....... S25 
Pont Royal, Paris, by Wilard Leroy 
Metealf; John Levy .ise.e.c.ss sacs 500. 
Mother and aon By, Charles Webster 
awthorne, N, ; William Macheth, 
BOE At sar cy etait ee dtp Santee | at 
Grand pee ‘Venice, py. Walter 
Griffin, A. N. A.; W. J. Davis.. 43850 
Notre Dame de Paris, by Jean Fran- ; 
cois Raffaelli; M. Knoedler & Go.... ,. 900 
Morning, by Helen M. Turner; @. Ix. 
MesBaban aa eds cree 850 } 
Dutch Windmill, by Robert Crannell 5 
Minor, N ; Seaman, agent... .... 800 
Hdge of the Forest, Keene Vailey, We 
_ Roswell Morse Shurtleff, - ? 
William Macbeth, Inc: clw ncs0seees =00 
Reflection, by Frank WW. Benson, 
N. A.;- William Macbeth, Inc......,.. 1,000 
Pasture on the River Fay, Jules 
Dupre RA AUstinedic so. wakes sce 1.8009 
‘Les Coteaux de Valmondois” by Charies 
Francois Daubigny; R. Austin...... 1,500 
Landseape on the Wieatietrancna: by’ 
Henri Harpignies; Fridmunch...... 1,650 
Hunting Dogs, by Edmund H, Osthaus; % 
Miss) Ms EE WOU RG. calcitic even ais 550 


a a 


= 


ROMEIKE, Inc 


106-110 SEVENTH AVE. 
NEW YORK 
Established 1881 


American and Foreign Works | 
8 Totaling $54,225. ae 


“ Indian Summer,”’ a large panne By 
|George Inness,« brought the top price ai 
the sale of American paintings by: Ame 
ican and fereign artists, from dii.'> 
| owners : BZ 


Pa 


|net, agd@at, for,$16;500. It-was 30 by 404 
inches, & #ure: of soft, warm Autumr 
ton¢és with one young tree os bright rec 
| foliage. ~~" 

Thé picture: haa a nisuene. pike a 
one of the last completed works: of the 
artist, who died in 1894, and was con 
sidered ‘one of his most important ex 
amples. It was purchased from Mr 
Inness by the congregation of the Cen 
tral. Church, Chicago, to present to i 
pastor, the Rev. Dr. Newell Dwight 
Hillis, when he resigned to take charge 
of Plymouth Chureh, Brooklyn. It w: 
sold in the sale of the collection 
Emerson McMillin in 3913, going 
Knoedler & Co., from whom it was 
chased by Duncan Phillips, who 
| posed of a number of pictures i 
| night's sale. The picture was s’ 
at $5,000, 

One of the picturés on’ whic 
was an upset price last night 
important Fromentin, ‘* Danse 
A here was»a eall for a bid of $8 
as it was not forthcoming the 
was passed. 


The Pictures and Prices. 


Following is a list of the p 
bringing $500 and over, with . 
names of artists and buyers when gi 


7—An Arabian Bazaar on the Outskirts 
eet tie wich St ca Phase op pag oes 


Mrs: M,” E. Dodge. ...-. eu veereeses oeee 
9—The Cottage—Jules Dupre; John Levy 
aged : ble ie eee ae Meren 


Lorenz, ARON 6. sass cee es ee ee ts pee 
beeen Fiction with Figure—E. Pieters; 
|W. H. Siebert. ......-1-ceeccsaueuuses $1,250 
3t—Ideal Head—Henner; N. ‘Goleman. es $625 


». Rohan 

| [sicavetr 
| 2 “Landsoape—Thomas Moran, Ni 
b Roy Prost oi. <0. bye eset eee ees 
- 43—Sleigh ‘poils—wdward Willis Redfield; 
| Knoedler-& Co... .+-¢entesetersen cee ens $5 
( — on the” Grana Ganal, Vv 
+ Mrs, J, B. Wayland... 026-08 oes ot $1,900 
46—The Frugal sie Sasilaeale de Hoog; “aa 


34—A Wet NIEBES Geuree Bellows; .F. atid 


se Bail; 

48—Pont move 

; calf; John Levy.. 4 : 
46. Moonlight—Thomas: “Moran> “Paul a 
be Douglas oh... hee pee noted ens bed nial 31,350, 
| 50—Mother and Child—Charles Ww. Hey 
thorne; William Macbeth, Inc. ...+,.:.% 
51—Grand Canal, bees pais Meer Griff: W, 


eee eee 


j Tendadler BS OO LL veteaiacis ete tame ae : 
pig Moneing eles M. Turner; 2B. 

Reham ‘ 
bi—Dutch Windmill—Robert ‘Gran 
Seaman, A@Gent. ....5- seer e weer ree nenes 

59—Between Sunset and 
Dougherty; Bernet, agent.......+..-+ $1,400 

i of the Forest, Keene Vailey—Ros- 
well orse Bhuptlerts yee Bae sp ew 
BUY 


inc 
61 Reflection--Franic "w.’ Benson; 


Macbeth, Inc. §...4...5..2-.0-04. $1, 
62—Indian Summet—Géorge Inness; O. Ber- 


net, agent n 6,500 
68—Pasture on the River Sail pe 
R: Austin. ...evees 
64—Les Coteaux de 
+R. Austin -..-0:-- $1,500 
6i—Landseape: on the 
pignies; Fridmunch ....-+-+++.-..- -$1, 650 
6rHunting Dobe ein’ H. Osthaus; Mrs. 
MM. Dedse NBASAMaS prkeshCer A. cp 550 
1d Palace f the Dodger saws: Cray 
Batilcal: wenee neces ieee wares $2,00 


The total for the sale was $54,225. 
here was a good attendance. Hx-Sen- 
ator W. A. Clark was one of the well- 
Ska eople in the audience. Thomas , 

ay was in thgestictieneer’s bench. 


HENRY 


_ ROMEIKE, Inc. 


(ORIGINAL 
106-110 SEVENTH AVE 


NEW 
Established YORK a8. 


| prone £628 19%% 
TRIBUNE 


of 
| , ce Se Saki 
‘Eighty Canvases Sold at 
| Total of $54,225 at 
Sale of American and For- 
eign Subjects at Plaza 
| wighty American -and foreign paint- 
ings of-distinction, jneluding @ histori: | 


aay significant and prilliant painting 
by the American master, George In- 
\ness, N. Ay were dispersed at auction 
last night at the Hotel Plaza by the 
American Art Association for $54,225. 
|The Inness was the painting, “Indian 
| Summer,” @ landscape in soft reds and 
| browns, which was purchased from the 
| artist direct in 1894 by the congrega- 
| tion of the Central Church, Chicago, 
for presentation to its pastor, the Rev- 
, Dr. Newell Dwight Hillis. It fetched 
$16,500 from 0. Bernet, an agent 
acting for 4 private collector. It was 
ne of the last works of the artist and 
‘considered one of his most important. 
It was sold to Messrs, Knoedler at the 
McMillin sale in 1913 and from them 
acquired by Duncan Phillips, who of- 
}fered it in this sale. : 
Many of the important paintings. in | 
this offering were the property of Mr. 
| Bhillips though other examples were 
fron the Billings’ estate corporation, | 
the estate of Edward Vv. We Rossiter 
| and the collections of Miss. L. Hoff- 
man, Mrs. RB, M. Shurtleff and, other 
oynetae <3 Sse eh 
Tl  Canaletto’s fie 
| painting, “Palace of the Doges. 
| was from the Robert Davis ce 
ght $2 
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